In quantum physics one meter is also one meter, but the elimination of distance, or the approximation or acceptance of something, changes that object or at least contains a wider spectrum of interpretative possibilities, so that the comparative of focused concretization is a well facetted ambiguity in the sense of quantum physics. Nigel Van Wieck's works function in a similar manner.
In medieval Spain, ghazals were written in Hebrew as well as Arabic. An important writer of Hebrew ghazals, and one of its chief defenders, was Moses ibn Ezra Romantic virtuosity essay Poems in the Arabic form have been written in a number of major West African literary languages like Hausa and Fulfulde.
African practitioners of this type of poetry were as concerned with adapting the Arabic meters as they were with adopting the themes and formal structure of Arabic poetry. Hausa poets, for instance, adopted the Arabic forms and meters into their written poetry in the nineteenth century.
The ghazal was also adopted very early on by the Persians, who developed it into something uniquely their own.
These developments will be discussed at length in the following section. Wherever the Arabian ghazal was introduced into the literature of another language — whether we are talking about Africa, Spain, or Persia — it was preceded by the cultural dominance of the Arabic language in that region.
Arabic was, at the very least, a major language of education in those cultures at the time when the ghazal was first adopted as a local poetic form. The poets who pioneered the introduction of ghazals in their native languages had all written ghazals in Arabic as well.
The Evolution of the Persian Ghazal The Persians during the Abbasid period were keen on adopting Arabic verse structures and meters into the Persian language. The beginnings of the ghazal in Persian was a time of imitating and adapting the Arabic form.
In truth, the earliest ghazals written in Persian are essentially Arabian ghazals.
The first is a change in sensibilities regarding the poetic line. The early Persian ghazal poets did not exhibit radical enjambment between the hemistiches, nor did they generally employ any kind of enjambment between the lines, which were showing themselves to be more and more like couplets.
There was, like in the Arabic ghazals, a strong overall continuity and flow of meaning between the lines of the poem. The poems were still an organic whole. This would gradually change over time, with the couplets growing more and more autonomous.
It should come as no surprise to us that the ghazal was not to be the only type of Arabic poem that the Persians emulated. They also wrote panegyric poems, lampoons, boasts, and didactic compositions after the Arabic poetic models.
Browne classifies Persian poetry into two broad categories: Since the above description of the ghazals written in Persian at this time can apply to quite a number of Arabic ghazals and none of the differences constitute an actual formal deviation from the Arabic norm, we can say that these early Persian examples still fit into the broad formal pattern of the Arabian ghazal.
An important Persian writer of ghazals at this time was Abdullah Jafar Rudaki Al-Unsuri praised his ghazals. It shows the close proximity that existed at the time between Persian and Arabic literature, in that critics would readily compare between the two.
While the topics that could be addressed by the ghazal widened — though still remaining within the general theme of longing — its form grew more and more distinctive.Romantic Music Essay, Research Paper Romantic MUSIC (The Arts) The ideals of instrumental music At one point in the survey of the Romantic period of music, we come upon the first of several seemingly opposing conditions that plague all efforts to hold on the significance of Romantic as applied to the music of [ ].
Romantic Virtuosity Essay - Romantic Virtuosity As the many socio-political revolutions of the late eighteenth-century established new social orders and new ways of life and thought; composers of the time period broke new musical ground by adding a new emotional depth to the prevailing classical forms.
This period is known as the .
An early look at the Oscar race. This week our team breaks down what to expect next year at the Academy Awards and which movies have already started to make a splash.
Chopin and Liszt’s Contribution to Piano Technique – Essay. Click here for the (pdf) Chopin and Liszt’s Contribution to Piano Technique. During the Romantic Period piano music was expanded into incredibly difficult and seemingly impossible new territories.
New innovations introduced by two of the greatest piano composers, Fredric Chopin. Romantic Virtuosity As the many socio-political revolutions of the late eighteenth-century established new social orders and new ways of life and thought; composers of the time period broke new musical ground by adding a new emotional depth to .
Piano Studio of Martin E. Kabule: Music History - The Romantic Period Some Romantic composers excelled in spectacular virtuosity, which was expressed by brilliant technical performances.
All Romantic music concerns itself with the problem of creating musical tension to achieve a corresponding intensification of emotional response.